Looking through the train window, he noticed a blur of fall color. The whirr of branches and leaves pulled in his gaze, and he slipped into a trance of yellow and orange. After several lost minutes, he realized that the sweep of the passing bouquet had stifled his ability to make out any of the individual trees that, collected together, called out to his spellbound eyes. So he leaned forward, picking out one tree on the horizon and tracing it with his eyes as it traveled along the length of the window frame. This way, he could see how the bark was a rugged cream color on one tree and a dark grey on another; how what looked like an old oak had pale green lichen draped over its torso; how a sapling of some species he couldn’t identify had decaying leaves that refused to fall off.
And then he thought that love is like a forest as a train rolls by. He felt regret that there were so many trees in a forest—trees that, had they been in his back yard, would have been affectionately ingrained in his memory. But these trees were not loved, not known. They just sat there, on the side of the tracks, and waited patiently to die—their existence meaning nothing to no-one. Perhaps one day they would be made into paper, and someone would write something down on what was left of them, and maybe, just maybe, that something would be important.
Love was like the trees that nobody came to look at. Love was mere chance; luck. Love was the way you would be forced to focus on one tree because the whole array of colors was too overwhelming for your senses. Love was the way you couldn’t focus on reading Nietzsche because that woman in the pink blouse to your right was telling her friend Carl about how her daughter Samantha had failed her Chemistry test.
There were countless other trees, other people that you would never meet; the fact that you chose this one to pay attention to—to love—was meaningless and random and stupid.
Love was like life, and life was like the shadows among the gaps in the trees of a forest that nobody came to look at.
29 October, 2013
Excellent metaphor!
“The greatest thing by far is to have command of metaphor. This alone cannot be imparted by another; it is the mark of a genius because to make good metaphors implies an eye for resemblances.”
~Aristotle
Thank you for the beautiful excerpt. I love Aristotle’s ideas on resemblance and nature.